JENNIFER LAWRENCE

Jennifer Shrader Lawrence was born on August 15, 1990 in Indian Hills, Kentucky, to Gary, a construction worker, and Karen (née Koch), a summer camp manager.[1][2] She has two older brothers, Ben and Blaine,[2] and her mother brought her up to be "tough" like them. Lawrence's mother did not allow her to play with other girls in preschool as she deemed her "too rough" with them.[3] The actress was educated at the Kammerer Middle School in Louisville.[3] She did not enjoy her childhood due to hyperactivity and social anxiety, and considered herself a misfit among her peers.[2][4] Lawrence has said that her anxieties vanished when she performed on stage, and that acting gave her a sense of accomplishment.[4] A cheerleader at school, Lawrence also played softball, field hockey and basketball, which she played on a boys team that her father coached.[3] She was fond of horseback riding while growing up and frequently visited a local horse farm.[5] She has a damaged coccyx from being thrown off a horse.[6] The actress has said that she knew she would be famous from an early age.[2] When her father worked from home, she performed for him, often dressing up as a clown or ballerina.[7] Her first acting assignment was at the age of nine with the role of a prostitute in a church play based on the Book of Jonah. For the next few years, she continued to take parts in church plays and school musicals.Lawrence's breakthrough role came in the small-scale drama Winter's Bone (2010), based on Daniel Woodrell's novel of the same name. In Debra Granik's independent feature, she portrayed Ree Dolly, a poverty-stricken teenager in the Ozark Mountains who cares for her mentally ill mother and younger siblings while searching for her missing father. Lawrence traveled to the Ozarks a week before filming began to live with the family on whom the story was based, and in preparation, she learned to fight, skin squirrels, and chop wood.[26][27] David Denby of The New Yorker said the film "would be unimaginable with anyone less charismatic",[28] and Peter Travers of Rolling Stone wrote that "her performance is more than acting, it's a gathering storm. Lawrence's eyes are a roadmap to what's tearing Ree apart."[29] The production won the Grand Jury Prize at the Sundance Film Festival.[30] The actress was awarded the National Board of Review Award for Breakthrough Performance, and with her first nomination for the Academy Award for Best Actress, she became the second youngest person to be nominated in the category. The Devil You Know, a small-scale production that Lawrence had filmed for in 2005, was her first release of 2013.[60] She then reprised the role of Everdeen in The Hunger Games: Catching Fire, the second installment in the Hunger Games film series.[61] While performing the film's underwater stunts, she suffered from an ear infection that resulted in a brief loss of hearing.[46] With box office earnings of $864.9 million, the film remains her highest-grossing release.[42] Stephanie Zacharek of The Village Voice believed that Lawrence's portrayal of Everdeen made her an ideal role model, and wrote that "there's no sanctimony or pretense of false modesty in the way Lawrence plays her".[62] She took on a supporting role in Russell's ensemble crime drama American Hustle (2013) as Rosalyn Rosenfeld, the neurotic wife of con man Irving Rosenfeld (portrayed by Christian Bale). Inspired by the Federal Bureau of Investigation's Abscam sting operation, the film is set against the backdrop of political corruption in 1970s New Jersey.[63][64] Lawrence did little research for the part, and based her performance on knowledge of the era from the films and television shows she had seen.[52] Geoffrey Macnab of The Independent praised her as "funny and acerbic", especially for an improvised scene in which she aggressively kisses her husband's mistress (played by Amy Adams) on the lips.[63] Lawrence's performance won her the Golden Globe and BAFTA Award for Best Supporting Actress, in addition to a third Academy Award nomination, her first in the supporting category

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